Check your format before someone else does.
Drop in your script and read the notes a reader would write on it. Type size, margins, scene headings without a time of day, speeches that fill a third of a page, character names spelled two ways. It runs on your computer and nothing is uploaded.
Drop your screenplay here
You can also pick a file from your computer.
PDF, Final Draft (.fdx), Fountain (.fountain, .spmd) and plain text. Nothing is uploaded.
What a reader would notice
The notes
What it checks
The things a reader sees before reading
Type size and left margin, measured on the page itself rather than trusted. A script set in 11 point looks shorter than it is, and a reader who has held a thousand scripts feels the difference in the first second.
The things that make a reader put it down
Action paragraphs past five lines, speeches past eight, parentheticals doing the director's job, headings that never say whether it is day or night, and the same character spelled two ways so every production report counts them twice.
Most of these fix themselves.
If you write in Google Docs with Screenplay Editor, the margins, the indents and the capitals are applied while you type, so the list above mostly never happens. It is free to start.
Questions about format
I write my own films in Google Docs, so I built the tools I kept wishing existed.
Ask me somethingWhat screenplay format does it check against?
Does it work on a PDF exported from Final Draft or Celtx?
Is my script uploaded to check it?
Will it tell me if my script is any good?
The other free tools
Open your screenplay in Google Docs
A PDF, a Final Draft file or a Fountain file becomes a document that opens already formatted.
Turn your script into a breakdown sheet
Every scene, its location, its time of day and its cast, in a coloured spreadsheet.
Lay out your beats and start writing
Fifteen beats at their real page numbers, in a document already divided.
Make a title page that looks right
Four fields, and the title page a reader expects.
How long does your script run?
A real estimate, and where the time actually goes.
See who carries your script
Who speaks, how much, in how many scenes, from which page to which.