How to write a screenplay in Microsoft Word.

Word can produce a screenplay that looks exactly like the ones that get read. What the tutorials skip is that it takes half an hour of setup, and that you keep doing the work on every single line. Here is the manual method in full, the parts it cannot do, and the one-minute alternative.

Free for a week, Mac and Windows. Or read on and do it by hand, it works too.

The format, in five numbers.

Screenplay format is not a style, it is a measuring instrument. One correctly formatted page is about one minute of screen time, and every producer, reader and first assistant director counts on that. Five numbers carry it.

  1. Paper: US Letter, portrait. Europe uses A4 and nobody objects, as long as you stay on one of them for the whole script.
  2. Font: Courier 12 pt. One weight. No bold, no italics, no colour. Courier Prime is free, it is the same width as Courier, and it reads better.
  3. Line spacing: single, six lines per inch, which gives about 55 lines of text a page. This is the number that makes the page count true.
  4. Margins: 1.5 in on the left (3.8 cm), 1 in on top, right and bottom (2.5 cm). The wide left margin exists so the script can be hole-punched and bound.
  5. One blank line between elements. Never two. The blank line is part of the format, not decoration.

Everything else is six paragraph shapes, always in the same columns, measured from the left margin:

ElementIndentWhat it is
Scene headingFlush left, full widthINT. KITCHEN - NIGHT. Capitals. Interior or exterior, place, time.
ActionFlush left, full widthWhat we see and hear. Present tense.
Character2.7 in / 6.9 cmWho speaks. Capitals.
Parenthetical2.1 in / 5.3 cm, right 1.9 inHow they say it. In brackets, under the name, used sparingly.
Dialogue1.4 in / 3.6 cm, right 1.3 inWhat they say. A narrow left-aligned column, never centred.
TransitionRight alignedCUT TO: and its family. Capitals.

On the page, it looks like this:

INT. HOTEL BAR, TOKYO - NIGHT
Neon through the window. BOB, sixty, tie undone,
nurses a whisky he did not order.
CHARLOTTE
(one stool over)
You're not going to sleep either.
BOB
I haven't slept since Thursday.
CUT TO:

The exact columns move by a fraction between studios and decades. What matters is that they never move inside your script.

Set up the page.

Open a blank document. Two minutes, once per script, and you can save it as a template afterwards.

  1. Margins. Layout, then Margins, then Custom Margins. Top 1 in, Bottom 1 in, Right 1 in, Left 1.5 in. In centimetres: 2.5, 2.5, 2.5 and 3.8.
  2. Paper size. Same dialog, Paper tab: Letter, or A4 if that is what you print on.
  3. Font. Home, then the font box: Courier Prime if you have it, Courier New otherwise, size 12.
  4. Page numbers. Insert, Page Number, Top of Page, right aligned. A screenplay numbers the page with a full stop after the figure, so type a period after the field. Then tick Different First Page, because page one is never numbered.
  5. Turn off what Word adds on its own. In the paragraph settings, spacing before and after must be 0 pt and line spacing Single. Word's default adds 8 pt after every paragraph, which quietly ruins your page count.

Build the six styles.

This is the real work, and it is worth doing properly: a style is what makes every scene heading identical to the last, and what lets you change all of them at once. In Word, Home, then the small arrow at the corner of the Styles gallery, then New Style.

Create one style per element, named after it. For each one, open Format, then Paragraph, and set the left and right indents from the table above, line spacing Single, spacing before and after 0 pt.

The two settings that do the heavy lifting

Give them keyboard shortcuts

On Windows, in the same New Style dialog: Format, then Shortcut Key. On Mac: Tools, then Customize Keyboard. Something you can hit without looking, like Command or Control with 1 to 6, in the order of the table above.

Save it as a template

File, Save as Template, and give it a name. Next script, you start from it instead of doing all of this again. Or skip the whole section and take our free template, which is the six styles above, already built, in Letter and A4.

What you still do by hand.

The setup above is honest work and it holds. These are the things it cannot do, and they are the reason screenwriting software exists at all.

Tab does not move you

In every screenwriting program, Tab goes from action to character, from dialogue to parenthetical. In Word, Tab inserts a tab character. You pick the style yourself, every time, with a shortcut or the gallery.

Chaining is one step deep

Style for following paragraph knows what comes next, once. It cannot know that after this character you want a parenthetical and not dialogue, and it forgets the moment you go back and edit an earlier line.

Capitals are a display effect

All caps shows capitals, it does not write them. Your text stays lower case underneath, which is fine on paper and awkward the day you convert the file to Final Draft or Fountain.

No scene numbers, no title page

Scene numbers in both margins, a title page laid out the way readers expect, a character report, a scene list you can reorder: none of that is a formatting setting. It is a program.

The one-minute way.

We make an add-in that does all of the above inside Word, and then keeps doing it while you write. It installs in about a minute on Mac and on Windows, it is signed and notarized by Apple, and there is nothing to learn: you type, and each line takes its place.

The file stays an ordinary .docx. The formatting lives in the document as Word styles, so anyone can open it, with or without the add-in, and it still reads like a screenplay.

Free for a week, everything open. Then $7.99 a month or $69 a year, the same licence as the Google Docs extension.

Writing together, in Word.

Word does live co-writing, and most people who ask for it do not know it is there. Save the .docx in OneDrive or SharePoint, turn AutoSave on at the top left, and share the file. Everyone writes in the same script at once, with Word's own comments, suggestions and live cursors.

Each co-writer installs the add-in once to get the instant Enter and Tab. Someone who opens the file in Word for the web, without installing anything, still sees a correctly formatted screenplay and can write in it. The format is in the document, so it is right for everyone.

Questions.

Can you really write a screenplay in Microsoft Word?

Yes. Screenplay format is margins, one font and six indents, and Word does all three. What Word does not do on its own is move you between those six shapes while you type, which is what the add-in adds.

Will a producer accept a .docx?

Send a PDF, always, whatever you wrote in. Word makes one in two clicks and keeps your styles. Keep the .docx for yourself.

Which font, exactly?

Courier 12 pt. Courier Prime is the modern free version, same widths, better on screen, and it comes with the add-in. Anything that is not a 12 pt monospaced Courier breaks the one page, one minute rule.

Does it work in Word for the web, or on iPad?

A script written with the add-in opens and reads correctly anywhere, including the web version. The instant Enter and Tab need the desktop Word, on Mac or Windows, because they come from a template Word loads at start.

Is Word good enough for a spec script?

For the reader, yes: they receive a PDF and they cannot tell. For you, it depends on whether you would rather press Tab or pick a style from a menu four hundred times.

I write in Google Docs.

Then you want the Chrome extension. Same engine, same rules, same licence, and around 11,000 writers already use it.