The myth that producers don't read unsolicited scripts is mostly false. For short films, the door is more open than you think.
First, I looked for festivals I actually wanted to screen at. Not just the big names — festivals I had an affinity with, places I'd genuinely want to go. You probably already know a few. Start there.
Then I looked at their winners and selections from the past few years. For each film, I found the production company — usually in the credits or on IMDb.
For each production company, I found their email. The vast majority have a contact page. And if they don't, there's always Instagram or Facebook.
That's it. That's your list of the best contacts in the industry — people who produce exactly the kind of films you want to make.
Now comes the hard part: writing an email that doesn't suck.
Here's an actual email I sent in 2014, when I was just out of film school. It led to a signed contract.
Hello,
I'm reaching out because I just graduated from the first class of Luc Besson's film school, where I studied directing.
Having recently finished my studies, I now want to direct my first produced short film. I've already written and directed a self-produced short, Premier Métro (7 minutes), which was selected at 10 festivals and won 4 awards. My second short, Perrault, La Fontaine, Mon Cul! (18 minutes), which I wrote and directed three months ago as my graduation film, was particularly noticed by Luc Besson, who gave it a 17/20.
I'm currently finishing the screenplay for my first feature, L'hiver, which is why I want to get in touch with a production company like yours — one that produces both shorts and features, especially since Americanos falls within the dramatic comedy genre that I particularly love. I'd like to direct my first produced short, called Une Place Pour Les Choses.
I'm attaching the screenplay, my CV, and links to my first two shorts, hoping they'll catch your attention.
Premier Métro: [link]
Perrault, La Fontaine, Mon Cul!: [link]
Thank you in advance for your response.
Best regards,
Hugo P. THOMAS
Sure, the tone is a bit juvenile (I was 24). But this email worked because it was specific. I mentioned their genre, showed I'd done my homework, and proved I wasn't a beginner. I had films, selections, awards. That's what short film producers want: young talent with potential.
This email wasn't crazy, it was logical. Honest. It showed my trajectory, and you could see the potential. Keep yours short, factual, and personal. No flattery, no begging. Just: here's who I am, here's what I've done, here's what I want.
You have a short film idea? Start with a properly formatted script.