Industry Advice

They Do Read. Here's How to Reach Them.

The myth that producers don't read unsolicited scripts is mostly false. For short films, the door is more open than you think.

Here's how I did it.

First, I looked for festivals I actually wanted to screen at. Not just the big names — festivals I had an affinity with, places I'd genuinely want to go. You probably already know a few. Start there.

Then I looked at their winners and selections from the past few years. For each film, I found the production company — usually in the credits or on IMDb.

Festival selections and winners

For each production company, I found their email. The vast majority have a contact page. And if they don't, there's always Instagram or Facebook.

That's it. That's your list of the best contacts in the industry — people who produce exactly the kind of films you want to make.

Now comes the hard part: writing an email that doesn't suck.

Real Email, Real Results

Here's an actual email I sent in 2014, when I was just out of film school. It led to a signed contract.

Sure, the tone is a bit juvenile (I was 24). But this email worked because it was specific. I mentioned their genre, showed I'd done my homework, and proved I wasn't a beginner. I had films, selections, awards. That's what short film producers want: young talent with potential.

This email wasn't crazy, it was logical. Honest. It showed my trajectory, and you could see the potential. Keep yours short, factual, and personal. No flattery, no begging. Just: here's who I am, here's what I've done, here's what I want.

Hugo Thomas at Zlín Film Festival
At Zlín Film Festival, Czech Republic
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